Christian Fiction Piety Is Not Enough - 848 Words

Known as a safe read throughout the literary world, Christian fiction is devoid of true human condition such as the grotesque and the sexual. Richard Terrell proposes in his essay Christian Fiction: Piety is not Enough, that Christian fiction cannot rely on being religious anymore to earn the title of â€Å"good fiction†. He addresses the issue of Christian fiction limiting itself to a certain range of topics because it is a â€Å"religious† work and these limitations result in mediocre writing. Though the credibility is weak throughout Christian Fiction: Piety is not Enough, the elements of logic and emotional appeal are effective in convincing Christian readers that today s Christian fiction is subpar. It is a theme among Christian writing to not discuss topics that are at the core of human condition and Terrell logically explains that if the Bible talks about a subject then so can Christian fiction. Once Terrell presents the option that the Bible is the model for all Christian writing, his audience of Christian readers and writers are able to relate the fiction they ve read to the stories of the Bible. Terrell lists themes found in the Bible confidently, knowing that his audience has previous knowledge of Bible stories and its discussion of topics such as the grotesque, the earthly, the tragic, and damnation (251). Judges contains a few examples of grotesque topics such as when God s servant Enud stabbed King Eglon and the King s fat enveloped the sword or when Jael drove aShow MoreRelated Catharine Maria Sedgwick’s A New-England Tale and Hope Leslie3301 Words   |  14 Pageswomen to share their opinions publicly throughout the Nineteenth century caused an abundance of females to communicate their ideas through writing. Catharine Maria Sedgwick was among the first of American authors to publish historical and other fiction. Much of her work deals with the role of white women in society, especially involving the Cult of Domesticity or True Womanhood. Sedgwick managed to incorporate her unorthodox views on women’s behavior, relationships, religion, and people foreignRead MoreCritical Analysis Of A Good Man Is Hard To Find By Flannery OConnor1573 Words   |  7 Pagesprepared for (by me anyway) by the intensity of the evil circumstances. When O Connor speaks of her Catholicism and its expression in her fiction, she is clear-headed, eloquent, and convincing. In Mystery and Manners, the posthumous collection of her occasional prose, she claims the assumptions that underlie A Good Man is Hard to Find are those of the central Christian mysteries. These are the assumptions to which a large part of the modern audience takes exception. 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Because Christ was both God and man, he becomes the vehicle for Blakes mediation betweenRead MorePlato Essay2739 Words   |  11 PagesSocratic method. The middle dialogues defend the doctrines commonly thought of as Platonism. In the late works, especially the last and longest dialogue, the Laws, Plato returns to the character of the ideal republic in a more sober manner, with civic piety and religion taking much of the burden of education away from philosophy. THE Republic of Plato is the longest of his works with the exceptionof the Laws, and is certainly the greatest of them. There are nearerapproaches to modern metaphysicsRead MoreIndian English Novel17483 Words   |  70 Pagesbeginning from that period and still going on in the current scenario, Indian novels have time and again impressed upon the reading public as well as fetching esteemed and honoured accolades both the country and overseas. Indian novels have been unbeaten enough to exhaustively reflect the history, society, political domain, economic status and tradition of Indian subcontinent, traversing ages. Indeed, the history of Indian novels has much to speak and state about such an all-encompassing genre, which canRead MoreNot Without Laughter Study Guide9912 Words   |  40 Pagesis an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design ® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beachams Encyclopedia of Popular Fiction: Social Concerns, Thematic Overview, Techniques, Literary Precedents, Key Questions, Related Titles, Adaptations, Related Web Sites. (c)1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beachams